Coventry/Dresden Arts Exchange – OPEN CALL FOR COVENTRY ARTISTS!

The Coventry/Dresden Arts Exchange are looking for a Coventry artist to take part in a month long residency in Dresden for September 2020.

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The residency will be a non-prescriptive period to reflect, research and explore art practice in the twin city for one month and to the establish new contacts and deepen established ones, acting as an ambassador for Coventry whilst in Dresden.

The residency will include return flights and accommodation at the cultural center Riesa Efau. A shared studio will also be provided with a Dresden artist plus £100 materials allowance. The residency will culminate in a showcase of work done in Dresden and an open studio.

Regarded as one of the most beautiful of German cities with unrivalled art collections Dresden has for over three centuries been an important centre of art production. As an art and green city and birthplace of European porcelain, art and artistic manufacture the city has been at the vanguard of European art and design and training through the Baroque, Romantic and Expressionistic periods up to the 1930s, which following its major destruction at the end of the Second World War was to some extent off limits for study during the Cold War, and despite unification Dresden has remained neglected.

Dresden is the capital city of Saxony and is a significant cultural centre with an internationally famous Art Academy and world class museums and art galleries.

The residency will include studio visits, art events and gallery visits in Dresden.

This is an Arts Council funded project with support from Class Room, Artspace Partnerships, Dresden City Council, Grafikwerkstatt and Coventry University, Arts and Humanities. Coventry/Dresden Art Exchange has had 10 collaborative exhibitions in both cities since 2012 and in 2017 began this residential exchange programme.

Applicants are requested to submit a 500 word proposal/project/research to be carried out in Dresden on a months residency, with CV, examples of work, website. The proposal should outline a personal programme of enquiry to be carried out in this twin city and the applicants motivation for this programme of work.

Successful applicants will be expected to make a report back at a forum at Class Room on returning to Coventry.

A panel will select a sort list and the successful candidate who will be informed by the end of May 2020. Deadline for applications 1st April.

Applications should be sent to Coventry/Dresden Residency
PO Box 6695, Coventry. CV3 9QZ

Any queries to j.yeadon@icloud.com

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Class Room hosts Artist-In-Residence for Coventry/Dresden Arts Exchange

John Yeadon, founder of Coventry/Dresden Arts Exchange has updated us on the latest residency as part of the initiative, and Class Room Gallery is currently hosting Dresden-based artist Lucas Oertel (www.lucasoertel.de) as artist-in-residence.

This residency will result in an exhibition at the gallery, and the opening night will be on Thursday 3rd of October for a private view between 6-9pm. (All are welcome)!

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Oertel, in his new work aims to offers the viewer his observation that the time we live in again sees war as something of an abstract notion. The marching figures in the installation exhibit a kind of collective pride, which for the artist is the result of the promotion of a new heroism that aims to glamorise warfare. The installation naturally draws the viewer to meditate on the meaning and perhaps to ask the questions of Who are these volunteers? Why have they joined up? 

This is not hard to relate to as here in Britain, posters usually appear during the January blues and near exam result days, advertising that military service and how it can provide an escape to a better life. They perhaps do not inform people of the true nature and reality of what they will be asked to do, they are instead sold a myth through slick and attractive adverts that usually follow a narrative about belonging or being the best. Today we make great tribute to the courage and heroism of those in the past, but for younger generations with no real experience of loss and destruction, it is easy to see warfare as something unreal and distant.

The work that has been made over September, has been constructed from a mixture of debris that Oertel has found during his stay in Coventry. In the studio, he has spent the time processing the materials, painting and constructing. He does not create artworks from working drawing, he slowly works directly onto the wall, creating relationships between the different pieces that he paints. Here the artist spends a lot of his time constructing and arranging the pieces to form the bodies of the figures.

This residency is the beginning of a series of collaborations between the gallery and the Coventry/Dresden Arts Exchange. Together we aim to celebrate the 60th anniversary of Coventry’s bond of friendship with Dresden, through creating a series of opportunities that facilitate artists, in both cities, to experiment and develop their practice through both an intense period of making and an involvement in international dialogue.

This will be achieved through a timetable of exhibitions, events and a series of artist in residencies, in Coventry and Dresden, that seek to introduce artists from both cities to each other. This will be the second Dresden artist in residency that Coventry/Dresden Arts Exchange has organised. Alexandra Müller was the first artist in residence from Dresden. Müller has been invited and is returning to exhibit in the Biennial.

More details of the Lucas Oertel residency and the Coventry/Dresden Arts Exchange can be found at: www.weareclassroom.com

Exhibitions to visit in Coventry this month

Coventry’s visual arts scene is in for a super busy June. Loads of exhibitions to view, so we’ve summed up some of the top exhibitions to check out over the next couple of weeks:

Project Coventry curated by Tara Rutledge

For one night only Project Coventry will run on Thursday 20th June at Classroom Gallery from 6:30 – 9:30pm. There is a cracking line-up of 12 Coventry-based artists for an immersive, interactive projection-based exhibition. We caught up Tara Rutledge, the artist behind it all last week to find out what’s in store.

Take a read here.

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To be within but not adrift by Ryan C. L. & Japhet Dinganga at Knights Wine Bar, Two Tone Village

Private View is Thursday 20th June, 5-9pm then it runs until 27th June.

Ryan says; “The work explores the ways in which we navigate social media. I challenge the prevalence of vanity and seek to present an alternative way of seeing things through a series of visual analogies. You’ll see a mix of photography and mixed media around the room. We’ll have live jazz music and performances, a night to contemplate and appreciate things.”

See the Facebook event here page for more details.

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Bearing Gifts in celebration of Refugee Week at St Mary’s Guildhall

Curated by Maokwo, this exhibition will showcase creative gifts by a fusion of cultures. Opening to the public on Friday 21st June, this two-week long exhibition celebrates the unique talents, and creative gifts that refugees and migrants bring to the city and UK as a whole. Artists from diverse backgrounds and communities will be exhibiting their work.

See their Facebook event page here for full details.

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Condition Humaine at Coventry Cathedral

Open until 30th June, this exhibition by Coventry Dresden Arts Exchange marks the 60th anniversary of the twinning of the two cities. Condition Humaine is concerned with human vulnerability. The exhibition features a moving selection of work by Coventry artists John Yeadon and Lisa Gunn together with Monika Marten and Kerstin Franke-Gneuss from Dresden. Paintings, etchings, linocuts, mixed media and sculpture explore courage, struggle and resilience – qualities both cities share.

Find out more about Condition Humaine here.

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Motion and Stillness: Works by Gary Wragg at the Lanchester Research Gallery

Curated by Matthew Macaulay, Director of the Classroom Gallery, this exhibition features both recent large-scale abstract paintings by Gary Wragg and more small-scale figurative paintings created back in the 1960s. Gary last exhibited in Coventry at The Herbert back in 1983, and flyers from that exhibition can be viewed here too. In the 70s Gary became an avid Tai Chi enthusiast, and his Tai Chi practice merges in with the artworks he created from this date.

The exhibition continues until the 5th of July between 10:00 and 16:00 on Tuesday to Thursdays. For appointments outside these times please contact Matthew Macaulay at: sayhello@weareclassroom.com.

View the Facebook event page here for more details.

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(Image by Alan Van Wijgerden)

Warwickshire Open Studios

Over 300 artists are exhibiting in 151 venues for this summer’s event which runs across Coventry and Warwickshire. It is now open and will run until 30th June. This year there will be 75 new artists exhibiting in Open Studios, and is set to be one of their best years yet.

Check out their website and artist listings and start planning your visits over the coming weeks – https://www.warwickshireopenstudios.org/

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Coventry Dresden Arts Exchange celebrate 60 years of twinning

The Coventry Dresden Art Exchange exhibition Condition Humaine in Coventry Cathedral’s Lady Chapel will run from 31st May to 30th June, (10am to 4pm), with two Coventry artists and two Dresden artists.(Entry free).

The exhibition was first shown at the Kreuzkirche in Dresden in February 2019 to launch the 60th Anniversary of the twinning of Coventry and Dresden in Dresden. This is the seventh collaborative exhibition with Coventry and Dresden artists that the association has organised in as many years, where peace and reconciliation is expressed through the practical work of a collaboration of friends by understanding the different histories and culture of our cities and learning from one another.

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Image: Condition Humaine and exhibition, Kreuzkirche Dresden. February 2019.

John Yeadon, whose initiative set up the organisation, explains. “This is Coventry/Dresden Arts Exchange’s first themed exhibition. Condition Humaine is concerned with human vulnerability, courage, struggle and resilience; qualities both cities share.”

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Image: Cry, Lino cut. John Yeadon 1969.

On Saturday, June 1st Coventry Spires Philharmonic Orchestra and Chorus and Neuer Chor Dresden will together celebrate 60 years of twinning between these two cities that were so ravaged by war. The choirs and orchestra will perform in a joint concert in at 4.30pm Coventry Cathedral, celebrating peace, reconciliation and friendship.

Tickets available from ticketsource.co.uk/spiresmusic

The Spires website www.spiresmusic.com

The Coventry/Dresden Arts Exchange is a personal initiative of John Yeadon with the Dresden artist Jean Kirsten in 2011. The Coventry/Dresden Arts Exchange programme seeks to develop dialogue and communication between artists from the cities of Coventry and Dresden. The aim is to create opportunities by establishing collaborative partnerships of exchanges, exhibitions, educational projects and forums.

Other events associated with the exhibition Condition Humaine events will include:

Meet the Artists, Lady Chapel, Sunday 2nd June 12 to 1pm.

Lisa Gunn, Artist Talk: Exposed, the disabled artist. Wednesday 5th June, 6.30 to 8.30pm, West End Nave, Coventry Cathedral.

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Poster image Fraunkirche Dresden.

Artist Spotlight: Jack Foster

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Coventry artist Jack Foster has recently returned from a month-long residency in Dresden, Germany as part of the Coventry-Dresden Arts Exchange. This artist-led grassroots initiative was set up by Coventry-based artist John Yeadon back in 2012 to develop dialogue and establish collaborative partnerships between artists from both cities.

We visited Jack’s current solo show “Dresden Paintings” at Classroom Gallery, and have interviewed him to find out more about his stay in Dresden, and this wonderful collection of paintings produced during his residency.

How did you enjoy your stay in Dresden?

I went to Dresden without knowing how I’d respond to seclusion of various kinds- spatial and societal, for the most part. I spoke some German but not enough to hold a conversation worth having. A month is a long time to run an experiment like that on yourself but I learned a lot.

My hosts, Anne and Christian Manss, could not have been more welcoming. They kept me alive for a month whilst I got the painting done.

Dresden was beautiful but extremely cold at the time (February) so I lived between my guest room at and my studio, which I shared with Christian and Anne. I met some great people in Dresden and the experience was invaluable.

Before travelling to Dresden, did you set any objectives, that you wished to achieve through your residency?

I hadn’t had too much time or space to paint in the months leading up to the residency but I had a few sketchbooks filled with ideas. My main objective was to see where I was as a painter. My work tends to tread a line between figurative representation and painterly abstraction and I go back and forth between the two.

Previous to Dresden, I addressed painting in a slightly more playful way, I wasn’t painting with any serious technicality or concern for colour theory. The work that I made was largely based on background figures and drapery in old masters paintings so I wanted to re-learn how to paint, to a degree.

My palette was stripped back to four or five colours (as opposed to my bags of hundreds of tubes that I usually work with), this forced be to get the most out of those colours and figure out new ways to use them. The decision to limit myself in this way also negated most of the decision paralysis when it came to mixing up colours due to the fact that I was mostly working in tone.

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What projects did you work on during your stay?

The sketches that I compiled previous to the residency were of draped fabrics, background figures and areas of light and shade- all lifted from old masters paintings, drawn and re-drawn out of context until they became their own image.

These were my starting point and I wrestled with them for a month.

‘Economy of mark’ is a phrase that my friend Mircea Taleaga used when he came to give a guest lecture about his work at Coventry university where I teach. The phrase, as far as I can see, originated with him but I’ve adopted it as a really useful way of talking about the amount of brush marks used to suggest form.

In a lot of classical portraiture, the faces could be said to have a low economy of mark (lots of marks to create the forms) whereas the drapery, background figures and even the sitter’s hands often had quite a high economy of mark (fewer marks to create the form, often tonal sketches).

I am interested in using the spectrum of this economy in different ways. Looking at a painting in this way works like a visual map of time spent in various places, it’s a sort of document of attention.

How do you feel that your time in Dresden benefited your creative practice?

It’s rare to get so much time to think about painting.

I’m able to do things with paint that I simply couldn’t do before, the time spent with just a few colours has been almost as important as the years spent with my collection of hundreds of colours.

What themes do your paintings explore?

Previous work has been about pattern seeking and superstition, In life, literature and In painting. I’ve painted a lot of Skinner Boxes- animal boxes from BF skinner’s famous experiments. I show these boxes alongside some paintings of drapery with suggested figuration.

I like to take things out of images when they should be there and put things In when they shouldn’t be.

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Draped fabric appears in many of the paintings in your solo show. Tell us a little more about this.

The draped fabrics started to come into my work as a bit of a joke, I painted a few which looked like a kid’s terrible ghost costume or something but the paintings looked more serious. There was no foot coming from underneath the sheet and the proportions weren’t human so they were just these draped forms, moving without an author.

They were also sort of about the way people approach semi-abstraction when looking at paintings, there’s almost a frustration for the image to be fully explicable.

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What’s next for you now as an artist?

I’m making more sketches and I’ll figure out what they are later when I try to paint them. After that I’ll try to show them somewhere.

Where can people go to find out more about your work?

For now my Instagram is the best place @jack_foster_artist

 

Jack’s solo show “Dresden Paintings” is currently on display at Classroom Gallery, open Tuesdays and Thursdays 11 – 4pm, or viewing by appointment, until the end of April 2018.

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New residency announced for Coventry Dresden Arts Exchange!

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Coventry Dresden Arts Exchange have announced a new month-long residency (February 2018) in Dresden for Coventry based artist Jack Foster, hosted by Dresden artist Christian Manss.

Born in Coventry, Jack is a 26 year old painter and a graduate of Coventry University. He currently lectures on the Foundation Art and Design Course at Coventry University. Jack has had solo exhibitions and group shows in London and the Midlands. He was the 2013 winner of Coventry University Drawing Prize from which he was an artist in residence at Rugby School, teaching and creating a new body of work.

This pilot residency programme is been supported by Coventry City Council a Small Arts Grant. Coventry Dresden Arts Exchange hope to make these Exchange residencies a regular feature of their activities.

Dresden artist Alexandra Müller was artist in residence in Coventry in July-August 2017, hosted by John Yeadon. The residency was a great success and Alexandra was a perfect ambassador for Dresden and Dresden artists. She had an open studio and a final exhibition in City Arcadia Gallery, which were well attended with over 60 visitors, amongst these visitors was The Lord Mayor of Coventry and the Dean of Coventry Cathedral. Alexandra visited museums and historic sites in Coventry including the Cathedral, also visiting artists studios in Coventry and Compton Verney Art Gallery in Warwickshire plus art galleries in London and Birmingham accompanied by Coventry artists.

Coventry/Dresden Arts Exchange is a personal initiative of Coventry based artist John Yeadon and has been active since 01/06/2012. It was formed into an Unincorporated Artist Association in 01/04/2015. The Coventry/Dresden Arts Exchange is an artists-led grassroots initiative, which seeks to develop dialogue between artists from the cities of Coventry and Dresden and to establish collaborative partnerships of exchanges, exhibitions, educational projects and forums.

Since 2012 they have had 6 collaborative exhibitions with Dresden artists in both cities. With over 1,000 visitors at the Coventry Dresden Arts Exchange exhibition at Pillnitz Castle during the Elbhangfest in 2016.

We are looking forward to seeing how Jack gets on during his stay in Dresden.