Artist Spotlight: Curious Boys Club

Back in October we visited The Gallery, Kenilworth for the first time, to enjoy the opening of the Curious Boys Club exhibition for Black History Month. This featured a photographic collection of work that glimpses into the lives of first, second and third generation migrants in the Midlands. The exhibition gave you an insight into the Curious Boy’s family history and how this helped them form the values to which they now live by. The boys put on a cracking event! There was a great atmosphere on the night and it ended with a beautiful live performance by singer/songwriter Erin Jae Golding.

image2
We’ve since caught up with founder, Cory to delve a little more deeper into what the Curious Boys Club is all about. Here is what he has to say:

What brought you all together to form Curious Boys Club?
We are just three friends dealing with life and inspired by the same things. We’ve been friends for nearly 20 years, I moved away and always wanted to be part of a collective, a brand, an agency so we shared ideas between COVENTRY and Brooklyn where i was based at the time and created THE CURIOUS BOYS CLUB.

Tell us more about the 9 core values of the Curious Boys

For people to by into your ideals you have to understand who you are and so we developed 9 values that are at our core as boys, men or as human beings.

Those values are AUTHENTICITY  CHALLENGE – COMPASSION – CURIOUSITY – HONESTY – MINDFULNESS – RESPECT – RESPONSIBILITY – TRADITIONAL These values speak clearly to our past, present and future and the legacy that we will leave behind.


What led to you putting on the exhibition at The Gallery?
This all happened relatively quickly we were looking around the midlands for events on Black History Month and saw nothing in Coventry or Warickshire. A little frustrated we sat talking and Cara from the gallery said we have an opening at the gallery if you wanted to put something on. We are all about opportunity and said why not “when does it need to start?”
“10 days!”

“Cool” we replied!

Thank you to Cara and Ben at The Gallery for being so supportive and giving us this opportunity along with everyone that attended

How did you go about curating this?

We didn’t have time or the insight to fully research black history so how do we make this work? How do we make this meaningful?

We tell our story, that’s the honesty value. We began collating all our family images and had the hard task of editing that down to 8 images each of which would speak to the past with 2 images of the present shot of the 3 of us by photographer and friend of the club Chris Ward-Jones.and Videography by new member Jack Cole.

 

Do you have plans for any future exhibitions?
We would love to develop further exhibitions and events but we don’t want to stop at , exhibitions we want to create experiences that engage audiences in new ways whether its black history, creativity, music or just life. It’s all one thing for the curious boys and we hope to take more people on this journey.

Who and what inspires your own creativity?

Life inspires us. Our children inspire us and together that drives and sparks our imagination further.

image1

What’s next for the Curious Boys Club?
Stay Curious
@curiously_being

Coventry Biennial 2019 Update

Craig Ashley Advisory Board Introduction

On the evening of the 6th September, the Herbert Art Gallery & Museum was jam-packed with art enthusiasts from across the country, for the big reveal of the 2019 Coventry Biennial. An air of excitement preceded the evening, which saw the launch Coventry Biennial’s fresh new branding, followed by updates on what’s in store for next year’s event, including the dates that the festival will run for: 4th October – 24th November 2019.

The team reflected on the inaugural Biennial themed around – ‘The Future’ – which presented an opportunity for artists and audiences alike to think about the possible shapes, sizes and perspectives of Coventry’s future.

Director, Ryan Hughes shared some interesting stats reflecting the successes of last year’s event:

  • Nearly a third of the attendees had never visited Coventry before
  • Nearly half of the attendees were under the age of 24
  • All of the participating artists felt that the Biennial had a positive impact on their creative practice.

Paul Newman in The Future

Ryan then revealed the overarching theme for next year’s event – ‘The Twin’ – an exploration of ideas around duality and place.

We’ve since spoken to Ryan, and he’s delved into this concept a little more for us: “Whilst evaluating the inaugural Coventry Biennial, which of course focused around ideas of – ‘The Future’ – we concluded that there is no possible singular solution, some artists approached that theme positively, others negatively. However we tried to consider the exhibitions we’d made, there was always some kind of duality at play. It became so prominent that we began to explore what dualities might mean in Coventry and within contemporary practices, this very quickly led us to look at Coventry’s twin cities and with the 75th Volgograd and 60th Dresden anniversaries in 2019 The Twin began to feel really substantial and engaging.”

For artists interested in opportunities to be involved in next year’s event, the team have stated they will not be running open calls for participation in their exhibitions. They feel it is far more useful for all concerned if their team and local artists can build meaningful, personal relationships which will give them a good idea of artist’s abilities and interests and where artists have a clear understanding of how the Biennial can support them.

Ryan has encouraged artists from across the city to invite him and the rest of the Biennial team to their studios or exhibitions and to attend as many of their events as possible. It’s also worth keeping an eye on all of their social media channels and website  as there will likely be workshops and other participatory moments which can be applied for there.

During the event on the 6th, Ryan and his team also launched their most recent Kickstarter Campaign to help raise fund for next year’s Biennial. They are encouraging everyone to get involved and show their support if they are in a position to do so. Ryan has updated us on what the raised funds will go towards:

“If we are successful in securing these funds through our current Kickstarter Campaign we will commission a series of new artworks by artists who live or work in Coventry and Warwickshire, ensuring that local artists are included in the biennial. When we look at other Art Biennials around the UK and internationally, it’s fairly rare to see artists from those locales being included so we feel passionately that we can counter that trend.”

People can contribute anything from £1 to £500 for a range of rewards, all of which have been generously supplied by artists and art organisations. Several rewards have already sold out, for example, a one of a kind embroidery by Stewart Easton was snapped up within hours of launching the campaign but there are loads of other really exciting rewards including knitted scarfs for the politically active by Freee Art Collective and sculptures by Juneau Projects.

Ryan says his personal favourite reward has been made by Coventry based artist Adele Mary Reed, she has offered a trio of disposable camera’s, ready to be developed, which are filled with totally unique black and white photos of the city! The campaign can be found at: http://kck.st/2NPRm4Q .

Image by Mariya Mileva.

Adele Mary Reed Shooting Disposable Cameras

The Biennial have until the 6th of October to raise £1,500, and anyone who donates £5 or more will automatically be listed as a supporter for next year’s event on their website. Not only would you be supporting the Coventry Biennial – you’d be supporting Coventry’s artists.

Exhibition Review – Rentrayage by Michelle Englefield

IMAG0286

Thursday evening saw the opening of Coventry artist Michelle Englefield’s solo show “Rentrayage” at Artspace Arcadia Gallery, following her year-long residency at Coventry Artspace. Michelle spent her studio time working towards this final exhibition, which comprised of a series of installations providing an autobiographical reflection of her own personal experiences of trauma.

In her artist statement, Michelle bravely shared her shocking story, of a string of harrowing events, which she has encountered throughout her life, which brought her to where she is today.

Michelle discovered refuge through creativity. Her art has allowed her to find a voice, which had been silenced for so long. She wants her work to give strength to others in the same way in which it has empowered her.

Rentrayage features a series of installations which filled the space in a manner which gave the viewer no option but to engage with each piece – each work becoming an obstacle in their path. The symbolism behind Michelle’s use of material and medium sensitively reflect the vulnerability of one who has experienced trauma, followed by steady growth and repair.

Layers of semi-transparent materials were overlapped – materials such as greaseproof paper, and dust sheets – typically used as forms of protection. Each object interlaced with twine, thread and wool; materials traditionally used to bind, repair and mend.

Each installation was suspended from the ceiling and featured strings of red wool flowing down each piece, a metaphor for veins supplying oxygen – vital for survival. Circular shapes were repeated throughout each installation, a symbol of family, marriage and the womb, whilst other areas had been torn and then stitched back together.

Each delicate installation gave a feel of fragility, so as a viewer you experience a sense of anxiety when passing through the space – fearful of causing damage to the work.

The ambient lighting in the room added atmosphere to the installations, as light created differing effects when shining through the overlapping opaque structures, casting both striking and delicate shadows around the room.

IMAG0291

Michelle has been incredibly strong to open up and share her story of trauma followed by personal growth and repair. This show reveals how Michelle’s artistic practice has ignited an admirable strength and resilience within her. This is incredibly moving to experience when viewing Rentrayage.

The exhibition will run until the 6th September 10am – 1:30pm (closed Sundays and Mondays). On Thursday 30th  5:30-7:30pm at Artspace Artcadia Gallery, she will be hosting a panel discussion surrounding the topics of art, therapy and value.

Exciting news! The Festival of the Imagineers will be back this September

Collectif Coin - Child Hood. Photo by Tara Rutledge

What an incredible event they have in store!

2018 will see the fifth edition of this award-winning festival which will return 17th-22nd September. The Festival of Imagineers celebrates work created at the intersection of art, design and engineering and this year focuses on themes of play and connectivity.
We’ll get to experience a large-scale balloon and sound installation, wonder at 1000 hoops suspended in the Cathedral, contribute our ideas to Imagineer’s next large-scale project, board a custom-converted double decker bus which turns the whole city into a stage and play the streets in a Festival Finale that will invite everyone to come and play.
The week will start with talks, conferences and exhibitions which will go behind the scenes into the creative process in venues from Daimler, Imagineer’s creative space, to spaces including The Herbert and Coventry Cathedral covering everything from art and education to Coventry’s plans as a cycle city.
We can’t wait!
Stay tuned to www.festivalofimagineers.co.uk for all the latest news and updates.

Goodbye CET – thank you for the memories

So the time has come for us to say our sad goodbye to the CET Building. With over 20,000 visitors in the past year, this pop-up cultural hub will leave a lasting legacy in the city. We’re gutted to see it go, but want to share some of our fondest memories of exhibitions we’ve visited there.

The inaugural Coventry Biennial of Contemporary Art – the biggest art festival the city has ever scene – the CET Building made the perfect venue for the Biennial’s central exhibition.

This was our first visit to the CET, since it re-opened it’s doors. It was wonderful exploring the building in it’s stripped-back state, each artwork responding to it’s setting and reacting to the exhibition theme of “The Future”.

Here’s our round-up of the inaugural Biennial last year.

Coventry-based artist, researcher and photographer Jonny Bark’s “Inhabiting Edgelands” became a dominant installation in the press hall, which was a result of the artists journey of exploration of these derelict, transitional areas of land in urban landscapes.

Screen Shot 2018-06-17 at 13.51.48

The CET Building held the 2018 Coventry University Annual Drawing Prize, which is open to all students and staff both past and present, across all faculties and disciplines. Since the first competition in 2010 the Drawing Prize has received wider recognition and prestige over the years with entrants from locally based artists to ex-students as far as London.

 

This year’s show certainly did not disappoint and viewers got to vote on who you felt deserved to win. The 2018 winner was Michala Gyetvai with this oil pastel drawing titled “Threads”.

28783370_1677485332331839_6606039313687397835_n

The Exposure Photography Festival of work by 2nd year BA Photography students at Coventry University was another huge and impressive event. The festival encompassed six exhibitions exploring themes of space and place, community participation, observation of society, the use of colour, an exploration of senses and personal relationships. What a great showcase of the level of talent that is coming from the university.

We loved viewing the highlights of the 2017 Spon Spun festival, and reminiscing the work we explored when we visited the art trail last year. Some took on a whole new dimension in the setting of the building, particularly this beautiful instillation by Min-Kyung Kim “Rain of Memory”, lit up to create overlapping shadows against the back wall.

Screen Shot 2018-06-17 at 13.46.01

The CET hosted the preview of the Urban Culture Street Art Festival, which took place across the city on 9th – 10th June. We were gutted to miss the event, but loved getting along to see all the impressive urban art, which then decorated the walls of the derelict basement room following the preview event.

Award winning artist Sam Belinfante was a visiting artist for “The Art of Coventry” Programme, ran by Coventry Artspace. His famous audio/visual installation “Accordian” was installed in the atmospheric press hall, which lent itself perfectly to this work of art. Echoing sounds came out of the darkness, while the two films of the accordion player rolled simultaneously in their two locations, viewable through either side of the screens.

Screen Shot 2018-06-17 at 13.43.17

We especially loved viewing John Yeadon’s solo show “What’s the meaning of this?” a retrospective view of paintings he produced in the 1980s alongside his more recent work. We interviewed him prior to it’s opening.

We were intrigued at how his paintings deemed shocking and controversial in the 1980s would be received again in the city 34 years later. Yeadon encouraged the viewer to reflect on political, ideological, social and economic changes over the past three decades. People travelled from across the UK to visit this outstanding show of grotesque-realist paintings from earlier years in stark contrast to landscape paintings from his more recent Englandia series, displayed alongside images of nuclear power stations.

 

We have so many happy memories from the past year, and are sad to see it go, but the emergence of this pop-up space created such a buzz for the city’s visual arts scene. It has supported and nurtured Coventry’s grass roots talent and encouraged artists to explore and engage with spaces outside traditional gallery venues. May it’s legacy live on as the artists of Coventry continue to push boundaries in discovering unusual exhibition spaces.

Farewell CET and thank you for the memories!

 

Artist Spotlight: Michelle Englefield

Michelle Englefield finished her BA in Fine Art at Coventry University last year, and was granted a place on Coventry Artspace’s 2017/18 Graduate Residency Initiative. Each year recent graduates can apply for this great personal development opportunity, which includes a year of free studio space, use of their city centre gallery, financial support to visit another cultural event, plus lots of chance to gain knowledge and expertise from other industry professionals.

29855467_10214658285265005_970827996_n

What type of artist would you describe yourself as?

I’d describe myself as a sculpture and installation artist.

What mediums do you use?

Found objects made from natural materials.

 What themes do you explore in your work?

Most of my work is autobiographical.

Who and what do you draw inspiration from?

I mainly draw inspiration from personal experiences and artists like Louise Bourgeois and Tracey Emin.

What projects will you be working on during your residency with Artspace?

I am currently also doing a Masters in Contemporary Arts Practice. The residency has been a massive safe haven to spent time to work on my practise and the theme of the aftermath of trauma.

What have you hoped to accomplish during your residency?

Lots of networking opportunities and a personal growth in my practise along side a exhibition.

 What are your future plans as a Visual Artist?

Strengthen and continuing my practise through exhibiting and a achieving a job in the creative industry.

20171103_082615

 Where can people find out more about you?

You can find me on Facebook @MichelleEnglefieldArt

And on Instagram @xreddangelx

Applications are now open for Coventry Artspace’s 2018/19 Graduate in Residence, and this year are offering two places. Application closed on 24th June.

Find out how you can apply here:

http://coventry-artspace.co.uk/residency/

 

Behind-the-scenes action from the Coventry Arts Trail

Curating Coventry are delighted to welcome our first guest bloggers; Photographer John Whitmore (images) and Glass Maker Amanda Glanville (words) who are both opening their studios as part of the Coventry Arts Trail 16 June – 1 JulyThey’ve given us a wonderful account of what’s been happening behind-the-scenes on the run up to the event:

AndyFarr_10

If you’ve ever wondered what an artist’s studio or workspace looks like, whether a painter works in an ordered calm, or a textile maker in a colourful chaos now is your chance to find out.

From 16 June – 1 July, the artists from Coventry Arts Trail invite you in to meet them in their homes and workspaces to see how and where they make art. This is part of Warwickshire Open Studios, the county’s biggest free annual visual arts event.

JohnWhitmore_05John Whitmore, a photographer using traditional film techniques, and based in Binley Woods has documented some of the artists you’ll meet as part of the trail (including himself!) to give you a taste of the very different ways they work and their working environments.

From contemporary workspaces to quirky sheds, a homely room in a traditional Victorian villa to a bright corner in an Edwardian terrace attic, The Coventry Arts Trail artists have one thing in common with all artists – they like to surround themselves with intriguing tools and equipment.

 

TheoWright_02You’ll see lots of these when you visit the Arts Trail, along with art big and small (most of it for sale), work in progress, sketchbooks, and some of the artists will be giving demonstrations too – don’t miss the working loom in Earlsdon and the lamp work glass demonstrations in Chapelfields. At all the addresses there is the warm welcome you would expect with Open Studios – often with cake and tea too.

It’s a friendly and approachable way of seeing art and a must for anyone who has been put off visiting a art gallery in the past.

AmandaGlanville_13

Full details of all the Coventry Arts Trail artists are on the Warwickshire Open Studios website where you can search who is open when by area and times they are open. Coventry Arts Trail has its own Facebook page where you can find out more. Please note, not all artists are open all of the time.

Or you can use the Warwickshire Open Studios Brochure or Coventry Arts Trail leaflet which are widely available.

Come and see what we’ve all been working on!

Andy Farr

A painter exhibiting from his city centre studio an affecting and thoughtful body of work which interprets true stories of post traumatic stress
https://www.warwickshireopenstudios.org/summer/2018/andy-farr

Emma O’Brien

Textile Artist and illustrator. Well known as the creator of ‘Naughty Monsters’ and co-author of children’s picture books. Emma’s delicious vegan cakes will be on offer during Open Studios.
https://www.warwickshireopenstudios.org/summer/2018/emma-obrien

Amanda Glanville

Maker of tiny glass stuff. Quirky, colourful and fun miniature objects for house and garden. Ongoing demonstrations in The Red Shed.
https://www.warwickshireopenstudios.org/summer/2018/amanda-glanville

Adam Tucker

Intricate detail of England’s natural landscapes captured in paint
https://www.warwickshireopenstudios.org/summer/2018/adam-tucker

Katie O

KatieO_05KatieO_02

Pencil and watercolour artist capturing in great detail the essence of wildlife. Showing as part of a group exhibition with four other artists at University Hospital Walsgrave. Please note this is an unmanned exhibition.
https://www.warwickshireopenstudios.org/summer/2018/katie-o

Sarah Howarth

New to Coventry Arts Trail, a mixed media artist who specialises in decorative mirrors.
https://www.warwickshireopenstudios.org/summer/2018/sarah-howarth

Theo Wright

Fine detail of intricately loom woven textiles. Demonstrations on full sized loom.
https://www.warwickshireopenstudios.org/summer/2018/theo-wright

Aleks Dille/Katharine Hopley

Designer / Makers of fine jewellery in all precious metals with a particular specialism in gemstones.
https://www.warwickshireopenstudios.org/summer/2018/aleks-dille 

Adam Hussain

Distinctive contemporary kiln fused glass as large installation pieces and smaller domestic bowls and plates. Adam offers workshops in beginners fused glass techniques.
https://www.warwickshireopenstudios.org/summer/2018/adam-hussain

John Whitmore 

Landscape, townscape and portrait photography using traditional camera techniques (non digital) and hand printing. Weds during Open Studios – pre bookable in depth demonstrations at his Binley Woods studio.
https://www.warwickshireopenstudios.org/summer/2018/john-whitmore

There are more artists to discover on the Coventry Arts Trail – not all of them were available for photographs. Discover the full list of places to visit here.

 

You can follow this blog post authors on the following:
John Whitmore
Facebook: @thedarkshed
Twitter: @thedarkshed
Instagram: @thedarkshed
https://johnwhitmore.gallery

Amanda Glanville
Facebook: @TheEarringCafe
Instagram: @theearringcafe
www.earringcafe.co.uk

A Beginners Guide to the Art of Resistance

Resistance'68

Local artist collaboration Darryl Georgiou and Rebekah Tolley-Georgiou have took us back to 1968 in a fascinating radio/film mash-up released on Mixcloud.

1968 was a significant year in history. A time of upheaval, struggle, changes and confusion. The artists have gathered archived material from news, radio, music, speeches and adverts, and re-contextualised it to mirror contemporary culture. This show reflects on how that period of time can relate to the here and now.

Inspired by the use of arts and education as tools to resist political repression, this radio/film mixtape forms a “Beginners Guide to the Art of Resistance”. This captivating programme draws from activism of the past to art of the present.

Check it out here:

https://www.mixcloud.com/BrumRadio/resistance-68-a-radio-film-for-the-minds-eye-by-darryl-georgiou-rebekah-tolley-georgiou/

Follow “The Van Trip” Live Art Journey – From East to West with Love

26991831_576328629382983_402828800898342819_n

Thursday the 7th June, we will witness an open top truck loaded with a tonne of bread and salt, depart from Whitley Depot, Coventry on a 1072 mile journey to Łódź, Poland, as part of a live art, transient performance by Coventry-based contemporary artists Rob Hamp and Emilia Moniszko.

The Van Trip is Phase 2 of From East to West With Love – a project which aims to establish unity, dialogue and connections between Eastern and Western Europeans.

You can follow this outreaching trip live via their social media channels, where Coventry-based film-maker Ivan Petkov will provide real-time documentation of the journey.

To put the concept of the Van Trip in better context, here’s an insight into the history of From East to West with Love:

Phase One – The Visitor was a programme of events, an exhibition, public discussions and an artist residency, that took place in September-November 2016 in Coventry, and Łódź, Poland.  The events encouraged arts professionals, academics and the local cultural community to connect and engage with each other whilst identifying and questioning cultural changes. One of Poland’s most radical artists Pawel Hajncel was their artist in residence. He created a performance titled “‘Patriotism for Sale’ in which he addressed the attitudes of migrants who fled their home countries in pursuit of sustainable future.

The objectives of From East to West with Love are to:

  • Place Coventry as a centre for experimental contemporary arts in Britain, free from discrimination resulting from today’s political climate
  • Establish communications between European artists, cultural agents and the general public in order to contribute to a positive image of Europe
  • Attract a diverse range of audiences from different backgrounds in order to release the segregation of the migrant community
  • Create personal development opportunities in curation, communication and event coordination positions
  • Document all elements of the project, to provide material to contribute towards Coventry’s future vision
  • Establish strong relationships between cultural agents and arts facilitators in Coventry and Łódź, in order to create culturally twinned cities.

14882310_357185791297269_7951386878314871254_o

SO back to Phase 2 – The Van Trip

Why transport a tonne of bread and salt?

In Poland bread and salt are a symbol of hospitality – a way of welcoming people. Bread symbolises the wish that the recipient will live in abundance, while salt is a reminder of the difficulties that we learn to overcome in life.

Łódź is geographically situated in the centre of Poland, as Coventry is to England. Like Coventry, it is a city with a long-standing industrial history – a connection that is significant to the project, and perfect grounds for twinning the two cities.

Check out this video by the artists to give you more of an insight:

https://www.youtube.com/watch?v=cgCqYFEgE2g

Who knows what experiences, interactions and events they will encounter as we follow this outbound journey, crossing borders, boundaries and undoing the framework of state lines.

Stay tuned to their Social Media Channels to find out, and experience The Van Trip with them:

Facebook: @fetwwl

Twitter: @fetwwl

Instagram: @fromeasttowestwithlove

And follow the hashtag #FETWWL

Join their live departure from Coventry on Thursday 7th June via their Facebook page here: https://www.facebook.com/events/382034575626228/

Watch the arrival approximately two days later at the Punkt Odbioru Sztuki, a Łódź based art gallery where it will then be unloaded:

https://www.facebook.com/events/1637173016403029/

Find out more on the website http://fetwwl.com/

22498895_532415757107604_2950087035936217770_o